Violin or luggage? Lufthansa versus music—the absurd dispute over 25 centimeters

Published on: December 17, 2025Categories: LegalReading time: 3 min.
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Nora Wölflick writes about interesting, current topics for the Love & Law Blog at Recht 24/7.

When a violin case becomes a safety hazard

Carolin Widmann, a star violinist with an international reputation, has a Guadagnini violin from 1782 under her arm, an instrument worth millions—both emotionally and financially. But what recently happened to her with Lufthansa sounds like a nightmare above the clouds: on her way from Helsinki to Frankfurt, she was not allowed to take her valuable instrument with her in its case as hand luggage. The reason: the case was 25 centimeters too long.

A second seat? Denied—despite empty rows. Senator status? Nobody cared. Instead of giving up or paying $7,000 for a later flight, Widmann wrapped the naked violin under her sweater. A scene straight out of an absurd movie—and simply incomprehensible to anyone who knows anything about music or air travel.

 

Regulations or arbitrariness? What Lufthansa says

Lufthansa cites its hand luggage guidelines, which it says are designed for safety reasons and in line with "international standards." However, these standards do not appear to exist in the form that Lufthansa presents them. In the US, for example, it is the volume of luggage that counts, not its length. Other airlines are much more flexible, especially when it comes to sensitive items such as musical instruments.

A spokesperson for Lufthansa explains: "The safety of our flights is our top priority." Sounds good—but in this case, it smacks more of bureaucracy than common sense. After all, a slim violin case hardly poses a greater risk than a stuffed trolley bag.

 

The tone sets the music – and resistance is growing

Carolin Widmann is not just anyone. She has flown frequently and extensively with Lufthansa—without any problems until now. The fact that, of all places, a flight attendant in Helsinki is now so stubbornly measuring her height down to the centimeter seems like a bad joke. But Widmann is not backing down. Instead, she is writing an open letter to Lufthansa CEO Carsten Spohr—and receiving thousands of responses from the music world. Lufthansa? Responds with mileage credit and a request for a meeting. Nice, but not effective.

Widmann doesn't want bonus miles—she wants change. And she's not alone: musicians from all over Europe report similar incidents. Transporting instruments on planes is often a gamble. Sometimes it works out, sometimes you're treated like a security risk—for no apparent reason.

 

It's the EU's turn – but for how much longer?

At least the issue is now also on the agenda in Brussels. After all, the unequal treatment of instrument transport by airlines is no longer an isolated case, but a structural problem. Musicians depend on being able to travel with their instruments—without fear that an overzealous check-in employee will reject their most valuable work tool.

The EU has been discussing uniform rules for instrument transport for years. But as is so often the case in Brussels, the wheels turn slowly. Until then, we must continue to appeal to airlines—and Lufthansa in particular—not to treat their rules as rigid laws, but as what they are: guidelines with room for interpretation.

A classification

If you risk damaging cultural property or even jeopardizing musicians' careers for the sake of 25 centimeters, then something is wrong with the system. Airlines such as Lufthansa present themselves in their advertising as cosmopolitan, innovative, and customer-oriented—and then fail precisely where a little tact and sensitivity would be called for. Who says that safety and common sense have to be mutually exclusive?

The truth is that some rules don't need to be abolished, they just need to be applied more intelligently. Otherwise, not only will the violin be left naked, but so will the airline's image.

 

Source: NDR.de

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